I'll quote the sections reviewing my story:
Popular prejudice is against fan fiction with its slashing and shipping. “The Shadow in the Corner” by Jonathan Andrew Sheen is set in the H. P. Lovecraft universe and it is an homage. A professor’s assistant, Agrawal, meets a grisly fate after an experiment goes awry and he begins to see a shadowy figure out of the corner of his eye. The story is gripping on its own merits and brilliant in the way it incorporates Miskatonic, madness, and Cthulhu.
Fans of H.P. Lovecraft will squee! when they learn in the first paragraph of Jonathan Andrew Sheen's “The Shadow in the Corner” that the narrator works at Miskatonic University but has not (yet!) succumbed to the madness that overtakes its faculty. The curious reader is referred to the accounts archived in the Arkham morgue – records go back to the '20s and Sheen assures us it's now all online. (So it must be true, eh?) Mention of the Internet and lasers proves the tale comes from the chilling nearness of our own era rather than the safely distant past.
Early disclosure that the tale ends in disaster serves to build suspense – what kind of disaster? The innovation involves String Theory and quantum entanglement – but for the good of humanity the narrator destroyed his notes and daren't say more. “The Shadow in the Corner” leverages Lovecraft fandom to quickly craft a creepy vibe suited perfectly to works of supernatural horror. And what a horror: modern tools and power sources have only brought within closer reach the Elder Things from worlds that lay parallel to our own; you can mail for the tools yourself, even. Not a comforting thought, is it?
Lovecraft’s own revelations of horror, being set in another century, feel distant from a world that knows about high energy physics; continuing their line in a setting that's aware of modern science and even tropes from horror lit delights precisely because it reinforces that indescribable Elder Things remain indescribable even when summoned in the presence of carefully recorded modern instrumentation. Technology doesn’t defeat horror. Sheen's tale mixes modern vocabulary and informalities with Lovecraft’s narrative style, making a mashup entertaining not only for its Lovecraftian content but for its incongruous juxtapositions. Perhaps the greatest delight is the last pair of sentences, and their surprising power to bring suddenly the horror Lovecraft lovers long to feel. If you love Lovecraft, you can't miss “The Shadow in the Corner."
I could not be more thrilled! What a great set of write-ups!